The Opportunity to Become Great

Dance Theatre of Harlem

Written by Christen Williams.

An older gentleman flashes an exquisite white smile. He warmly shakes the hand of a young man before beginning a story that is not only obviously entertaining to him as the storyteller, but also enjoyable to his audience. The keeper of such warmth and familiarity is none other than dance legend Arthur Mitchell who made his way to Detroit to partake in the festivities surrounding the 15th Annual Sphinx Competition.

Mr. Mitchell spoke at the Inaugural Dr. Arthur L. Johnson Memorial Lecture for Sphinx finalists, laureates, family, friends, and community leaders on February 11th. But before relaying some of his words of wisdom, it is important to note Mr. Mitchell’s impact on the dance world and on African American history. He is acclaimed as the first African American to become a permanent member of a major U.S. ballet company along with becoming the co-founder of the Dance Theater of Harlem. Mr. Mitchell’s work as a performer, teacher and strong advocate for the arts during the tumultuous Civil Rights era shows his commitment to the betterment of young people through the arts as well as his willingness to provide them with the opportunity to succeed.

Arthur Mitchell, co-founder of Dance Theatre of HarlemDespite the glowing history that we can read about today, things were not always optimistic. After being accepted into the School of American Ballet, Mr. Mitchell spoke about running into racism when going on auditions. He was told that African Americans could not perform classical ballet simply because of the extreme emphasis on perfecting the technique. He was rejected audition after audition despite his diligent practice. However, George Balanchine (famed 20th century choreographer) gave him the opportunity to dance in the New York City Ballet – a first in NYCB and African American history! After hearing this story my first thought was, “Wow! That’s amazing. He is really special.” Before I could expound on this thought within my own head, Mr. Mitchell said vehemently, “I was not the exception. I had the opportunity.”

This leads us to the main point of his lecture: It is important for us (as communities, parents, friends, etc.) to give children the opportunity to become great. Though we do not live in the same racially-charged times as those of Mr. Mitchell, we continue to deal with an economic crisis along with multiple controversial political issues at all levels of government. The arts are constantly de-emphasized in the public school system, the very place where they are supposed to begin. However, Detroit is fortunate enough to have a number of after-school and Saturday arts programs for school-aged children. Why not take advantage of one of those opportunities to give the child in your life this opportunity: To become the self-aware, confident, disciplined, and focused individual that will lead them to success in all of their endeavors.  The arts have the power to do this… when they have the chance.

Friday’s Dance Night

An Exceptional TeacherWritten by Elisabeth Rochon.

Friday, February 10th, is a night of classical and contemporary ballet at the Grosse Pointe War Memorial in Grosse Pointe Farms.  Students of Mary Ellen Cooper will perform to the music of many classical composers, featuring the Polovotsian dances by Alexander Borodin.

This performance is the annual recital of the students of Mary Ellen Cooper, a most dedicated teacher.  I studied under Mary Ellen Cooper for twelve years, and I look back on those years with amazement and gratitude.  Through my bad days, Mary Ellen never once gave up on me.  Through my good days, she never let a chance slip to challenge me.

When Mary Ellen was a little girl, she peered in on a classroom lesson of ballet and fell in love with it.  For decades and continuing every day, Mary Ellen shares her love of ballet, from the classroom to the stage.  To her students she is an example of inspiring dedication and passion for ballet.  With discipline and encouragement, Mary Ellen does all she can for each of her students.  Mary Ellen once compared the development of a dancer with the growth of a flower.  As a flower grows from a seed full of potential to a full and real bloom, so a dancer progresses.

Mary Ellen uses the Cecchetti method of ballet, which structures a dancer’s education so that every step is learned in a steady progression from preparatory exercises to final touches.  The Cecchetti method develops a dancer’s skill in every area of ballet, from exercises at the bar and adagios in the middle of the room to choreographing and performing one’s own solo and dancing en pointe.

I will never forget the last dress rehearsal before the recital of my twelfth year under Mary Ellen’s instruction.  After performing my favorite part in the recital, Mary Ellen came up to me and said, “That is the best I have ever seen you dance.”

Under Mary Ellen’s instruction, nothing less than excellence is the goal.  With encouragement and discipline, Mary Ellen dedicates herself to leading every students to that goal.  Through the Cecchetti method and the annual recital, she turns the potential in each of her students into the full and real bloom of accomplishment in ballet.

DSA African Dance Troupe

[youtube http://www.youtube.com/watch?v=mL1TQzbEMBc&w=560&h=315]

 

The Detroit School of Arts African Dance Ensemble, under the instruction of Ms. Mayowa Lisa Reynolds, performs “Breakin Curfew” in May 2011 at The Power Center in Ann Arbor. Ms. Reynolds has been nominated several times for Who’s Who of American Teachers, and has won several awards for her outstanding choreography and direction on behalf of Plowshares Theater. Ms. Rita Davis is principal of The Detroit School of Arts.

Pure Colombia

Experience the people and culture of Colombia when The Lorenzo Cultural Center presents Ballet Folklórico de Antioquia, Colombia on Friday, Feb. 17. The performance begins at 7:30 p.m.

Embarking on its first U.S. tour, this gifted ensemble shares the richness and diversity of the Colombian culture through its spectacular performances of dance and music. The performances feature authentic music, ritualistic dance, and physical theater, as well as contemporary music and dance, accentuated with brilliantly colored and scintillating costumes. Recognized for its elegance, excellence, and breathtaking artistry, the magic of its dance movements transforms it into what audiences have called a “spectacular show of lights, music and dance!”

Get an $8 discount on each ticket by using the code word BALLET when ordering tickets in person, by phone or online. Valid on regular priced tickets only. Does not apply to any other discounts, previously purchased ticket or student/senior pricing. For reservations, call (586) 286-2222 or visit online.

The performance is a Community Enrichment Program of Macomb Community College. The Lorenzo Cultural Center 44575 Garfield Road (at Hall Road), Clinton Township, MI 48038.

Catch the Bolshoi in High-Def at the Detroit Film Theatre

DFT presents The Bolshoi and The Sleeping BeautyThe Detroit Film Theatre is giving those who love ballet a chance to see, hear and experience greatness on the big screen as the Bolshoi Ballet presents “The Sleeping Beauty.”

Filmed live in Moscow on opening night of the magnificently restored Bolshoi Ballet Theatre, the performance screens tonight at the DFT in the Detroit Institute of Arts.

Masterfully choreographed by Yuri Grigorovich after Marius Petipa, with Tchaikovsky’s shimmering score conducted by Alexander Kopylov, the film fuses the beauty and athleticism of dance with a sublime score. The historic performance was recorded live before an opening-night audience at the Bolshoi on November 20th, 2011.

This enchanting fairy tale classic shares Perrault’s timeless story of Princess Aurora’s coming of age. Svetlana Zakharova and American-born Bolshoi superstar David Halberg star in this exclusive DFT presentation. (2 hours, 51 minutes with one intermission.)

Special tickets prices apply for the March 8 screening. General admission are $18 each; tickets are $16 for students, seniors and DIA members. For more information or to purchase tickets, please visit online.

The Bolshoi Theatre is among the most renown cultural institutions of the world. Meaning “Grand” or “Great” in Russian, the Bolshoi just completed a 6-year, $700 million restoration. Click here to learn more for a photoblog from MSNBC.

Fans of the Detroit Opera House may appreciate the restoration project and recognize some of the work, elements and processes. The DOH underwent a complete renovation at a cost of $20 million and re-opened in 1996 on behalf of Michigan audiences who enjoy the performing arts.