‘Music of Stan Kenton’ Big Band Concert

Stan Kenton swinging Big Band leader extraordinaire

Those who love jazz of the Big Band era, save the date. The “Music of Stan Kenton” Big Band Concert featuring Peter Erskine is Sunday, April 7 at Music Hall Center for Performing Arts.

The Detroit Masters of Music Big Band includes John Harner and Johnny Trudell on trumpet, Jerry McKenzie on drums, and a special song with beloved local trumpeter Bob Lymparis, 86, who played with the Kenton big band in 1945, ’46 and ’48.

The fun begins at 5 p.m.  Sunday April 7 at the Music Hall Center for Performing Arts, 350 Madison St, Detroit, MI 48226 (313) 887-8501. Tickets are $30 in advance or $35 at the door, and are available through Ticketmaster or the Music Hall box office.

Presented by Brassworks Entertainment in partnership with the evening jazz programming at WRCJ 90.9 FM, this very special concert will also be recorded live for national release, and limited edition autographed copies will be made available to premium ticket purchasers. Details are available at www.musichall.org<http://www.musichall.org>.

Stan Kenton

Band Leader Stan Kenton made two records in 1943, launching what proved to be a 25-year association with the newly formed Capitol Records, “Artistry in Rhythm,” his theme, and “Eager Beaver”, both records shot the band to the top ranks of wartime popularity. In the years following World War II, Mr. Kenton’s was one of the first big jazz bands, along with Dizzy Gillespie’s, to use Afro-Cuban rhythmic coloration in their music. Mr. Kenton, a pianist who sometimes played solos with his orchestra, had a flamboyant manner that did not diminish the musical turmoil he created. He conducted with great arm-waving vigor, ending every selection with up stretched arms and an ecstatic expression.

Peter Erskine

Peter Erskine has played the drums since the age of four and is renowned for his versatility and love of different musical contexts. He appears on more than 600 albums and film scores, and has won two Grammy(r) Awards, plus an Honorary Doctorate from the Berklee School of Music (1992). Thirty albums have been released under his own name or as co-leader. He has played with the Stan Kenton and Maynard Ferguson Big Bands, Weather Report, Steps Ahead, Joni Mitchell, Steely Dan, Diana Krall, Kenny Wheeler, the Brecker Brothers, The Yellowjackets, and Pat Metheny, among many others. Mr. Erskine has been voted ‘Best Jazz Drummer of the Year’ ten times by the readers of Modern Drummer magazine. He graduated from the Interlochen Arts Academy in northern Michigan and studied at Indiana University.

Ron Kischuk

Masters of Music Big Band Leader Ron Kischuk is the Detroit area’s most prominent trombonist. He has been a featured soloist with The Detroit Symphony Orchestra on several occasions and has performed with the orchestra many times as principal trombonist. The Masters of Music Big Band has backed Johnny Mathis, Hal Linden, the Temptations, Natalie Cole and Gladys Knight, among others. Mr. Kischuk has recorded with Aretha Franklin, Vickie Winans, Tim Bowman, the Four Tops, the Temptations, and Grand Funk Railroad, among many others. Mr. Kischuk also played lead trombone on the Grammy(r) Award winning soundtrack Standing In The Shadows Of Motown.

The Band

Other celebrated musicians that will be featured in this rare Big Band concert experience will include John Harner, a former first trumpet player with the Stan Kenton Orchestra, who recorded three releases with them including “Kenton Plays Chicago,” “Fire, Fury, and Fun,” and “Kenton ’76,” He also was the first trumpet player at the Dunes, the Sands, and the Sahara Hotels in Las Vegas from 1977 until 1984 and the co-lead player at Caesars Palace in 1983, performing for entertainers that included Johnny Carson, Don Rickles, Jerry Lewis, and Vic Damone, among others. Also featured will be legendary Detroit trumpet player Johnny Trudell, plus drummer Jerry McKenzie, who played with Kenton Big Band 1958 – 1962 and also in 1972, and also played on the Grammy winning record “West Side Story” with Mr. Kenton. In addition, the concert will also include a special song with beloved local trumpeter Bob Lymparis, 86, who played with the Kenton big band in 1945, ’46 and ’48. He will be joining in on a tune he recorded with the band in 1946 – “Intermission Riff” (one of Kenton’s early hits) written by fellow trumpeter and close friend from the Kenton band, Ray Wetzel.

In addition, the Masters of Music Big Band includes a dizzying array of talent including Chris Collins (head of Jazz Studies at Wayne State, Artistic Director of Detroit Jazz Festival), Pete Kahn, Gene Parker, Ben Jansson and Mark Berger playing saxophone, Edward Gooch (former Duke Ellington band member) Gary Kaback, Denzel Donald and George Troia on trombone; Ric Wolkins, Rob Smith (former soloist with Woody Herman’s Thundering Herd) Dwight Adams (plays with Stevie Wonder and featured soloist with the Columbus Jazz Orchestra) and Bob Hawkins on trumpet; Gary Schunk on piano (former house pianist at Baker’s Keyboard Lounge during the 1970′s and 80′s); Jeff Halsey on bass (has toured with legendary jazz artists including Tommy Flanagan, Clark Terry, Jay McShann, J.C. Heard, Dizzy Gillespie, Arturo Sandoval and Stanley Cowell), and percussionist Roger Schupp.

Hotel rooms for this amazing destination jazz event are available for the special reduced rate of $99 at the Hilton Garden Inn, right next door to the Music Hall! Please just ask for the block reserved for the Masters of Music Stan Kenton concert when making reservations. The Masters of Music Big Band is also on Facebook at Detroit Jazz Masters.

“Some of the wise boys who say my music is loud, blatant and that’s all… should see the faces of the kids who have driven a hundred miles through the snow to see the band. . .to stand in front of the bandstand in an ecstasy all their own.”— Stan Kenton, 1948

Good Vibes from Burundi

Music Hall presents Royal Drummers and Dancers of Burundi

The energy of drums and dance will fill the audience with the spirit of the people of Burundi when the Music Hall Center for the Performing Arts presents the Royal Drummers and Dancers of Burundi. The program begins Saturday at 8 p.m.

One of the greatest percussion ensembles in the world, the Royal Drummers and Dancers of Burundi have performed in the same way for centuries, passing down traditions and techniques from father to son. Their performances were traditionally a part of particular ceremonies, such as births, funerals and the enthronement of Kings.

Tickets are $27, $37 and $47. Click here for reservations or phone (313) 887-8500.

In Burundi, drums are sacred and represent, along with the king, the powers of fertility and regeneration. The origins of their performance being shrouded in ancient legend and mystery, the Royal Drummers and Dancers of Burundi channel the energy and creative spirit of a nation through these drums and the rituals surrounding them.

The large drums “Ingoma” that are played are made from hollowed tree trunks covered with skin. The “Amashako” drums provide a continuous beat, and “Ibishikiso” drums follow the rhythm of the central “Inkiranya” drum. The thunderous sound of the drums with the graceful yet athletic dance that accompanies this masterful performance represents an important part of Burundi’s musical heritage.

Since the 60′s the Royal Drummers and Dancers of Burundi have toured outside of their country, becoming a popular attraction at concert halls and festivals around the world. Their massed drum sound, or the “Burundi beat” as it became known, also caught the ear of Western musicians and they appeared on Joni Mitchell’s, The Hissing of Summer Lawns (1975). Their distinctive sound also influenced British rock bands of the early 80′s, such as Adam and the Ants, and Bow Wow Wow. It was seeing the drummers that inspired Thomas Brooman to organise the first WOMAD festival in 1982, an event that helped to spark the whole World Music boom.

“A constant parade of players improvised on the central drum, dancing to the rhythms, leaping or twirling drumsticks in the air or around their necks. It was all a celebration of ability, the sheer pleasure of competitive creativity, and – strikingly similar to what happens in a jazz jam session – more virtuosic than sentimental.” —The New York Times

 

Moving to his Own Beat

Fela and WivesThis man did it his way. From his art and social life to leading the stand for freedom and justice, Fela Anikulapo-Kuti lived what he believed.

The Charles H. Wright Museum of African American History presents “Moving to His Own Beat – Fela: The Man, The Movement, The Music.” Running through April 1, 2012, the new exhibition celebrates the life of Fela Anikulapo-Kuti, whose music and politics stood in opposition to the brutal military regime in Nigeria.

Created in partnership with Music Hall Center for the Performing Arts to prelude the arrival of the Broadway smash musical, Fela!, to Music Hall in February, 2012, this exhibition celebrates the life and music of Fela Anikulapo-Kuti, a dynamic figure who transcended the boundaries of political expectation and culturally coerced standards of morality. His undying passion for African peoples, understanding of the power of art and politics, and unyielding struggle against the colonial forces in Nigeria during the 1950s and 1960s, solidified his legacy as a shimmering agent of change against the status quo. Born into a family of profound social activists, he observed his parents organize successful social movements, his brothers champion democracy and medicine, and his cousin develop into a Nobel winning author. Thus, Fela’s view of politics and social activism was ingrained. He spoke out against the ruling government, returned to African traditions that had been interrupted during Colonialism, and brilliantly used his music as a medium for social change.

Always pushing the envelope, Fela infused traditional African highlife music with classical jazz and funk, which evolved into a unique sound that he called, “Afrobeat.” This extra-sonic music, structured for bands composed of up to 50 pieces, was paired with politically challenging lyrics and lengthy, theatrical stage performances. Through his band, whose name evolved from Koola Lobitos, to Africa ’70, and Egypt ’80, Fela constructed a sound that would become synonymous with pride. The powerful music and social commentary found throughout his vast catalog of recordings is indicative of his desire to help end oppression among African peoples everywhere.

While some considered him recalcitrant, others saw him as a beacon of light and inspiration. What is certain is that the music of “FELA!” will forever be a catalyst of hope for the oppressed and downtrodden.

To learn more about the Charles H. Wright Museum of African American History, click here.

The Cross and the Light

The Cross and the Light i2

An epic theatrical experience and deeply moving musical journey, The Cross and the Light will debut Sunday, March 24 at the Music Hall Center for the Performing Arts. The powerful production, a musical dramatization of the Passion, Death and Resurrection of Christ, will be performed at select times through Easter Sunday, March 31.

Audiences will experience Jesus’s final hours in a way that becomes a personal and profound encounter with our Savior. After Jesus’s death, the Risen Lord appears to His Apostles and prepares them for Pentecost.

The cast consists of approximately 45 professional and amateur actors, including Kenny Watson, famed Detroit vocalist who is playing Jesus, Candice Jackson, portraying Mary Magdalene, Julie Craigo portrays Mary, Mother of God, and Brian LeDuc portrays Peter. Annie Klark is music director.

“The Cross and The Light” is supported by the Living Faith Fine Arts Apostolate. Additionally, the production has gained national and international attention with performances scheduled in Illinois and Australia.

Performances:

Sunday, March 24 – 7:30 p.m.

Tuesday, March 26 – 10 a.m.

Wednesday, March 27 – 10 a.m.

Thursday, March 28 – 3 p.m. & 8 p.m.

Friday, March 29 – Noon & 8 p.m.

Saturday, March 30 – 3 p.m. & 8 p.m.

Sunday, March 31 – 3 p.m. & 7:30 p.m.

TICKETS: $35,$45,$55,$10o. For reservations and details, click here.

 

 

 

 

 

Spirits of America

Lakota Sioux Dance Theatre

The Dakota people were among the first spirits to inhabit this land.

Tomorrow, you can connect with the culture of one of great peoples in America’s history when Music Hall Center for the Performing Arts presents the Lakota Sioux Dance Theatre.

You may find that their ancestors are our ancestors — physical and spiritual.

The performance is Friday, April 13, beginning at 8 p.m. Tickets are $30, $40, and $50. Call (313) 887-8501 or visit Music Hall.

The Lakota Sioux Dance Theatre was founded at the Rosebud Reservation in South Dakota with the support of traditional Lakota Indian educators, healers, community leaders, championship pow-wow dancers, singers, and storytellers. Set against a backdrop of spectacular video imagery and accompanied by live traditional, sacred, and courting songs, narratives and creation stories are woven into the fabric of the performance.

Click here to learn more.